Back to China

Back to China (2022) is a thought-provoking series of prints that draws inspiration from the familiar aesthetics of commonly found book covers. However, beneath the surface lies a profound exploration of a darker reality. The textual elements within the artwork are skillfully appropriated from audio and video recordings capturing instances of hate crimes and hate speech directed towards Asians during the tumultuous COVID-19 pandemic.

This body of work serves as a poignant commentary on the alarming surge in hate crimes, a staggering increase of 337% since 2020. The intention behind Back to China goes beyond aesthetics; it delves into the unsettling undercurrents of prejudice and discrimination that have emerged during these challenging times. The carefully curated text within the prints acts as a stark reminder of the verbal violence inflicted upon the Asian community.

Moreover, the series seeks to shed light on the complex intersection of politics and hate, asserting that certain political climates can enable and even encourage such harmful rhetoric. By weaving together visual elements and appropriated text, Back to China prompts viewers to confront the harsh realities faced by the Asian community, urging collective reflection on the impact of societal discourse on marginalized groups. It is an artistic endeavor that transcends the visual realm, sparking conversations about the responsibility we all share in fostering a more inclusive and compassionate society.